Guruji Teaching Tabla
Guruji Teaching Taalvidya to Kathak dancers
Traditional Tabla composition
Contemporary dance composition
Guru
Currently Guruji is conducting extensive rhythm training for Kathak dancers across the globe. His Taalvidya programs for Kathak dancers aim at providing a deeper understanding of the rhythmic patterns around which the artform revolves, giving an insight into the fundamental structure of the art which opens up many new possibilities for an artist to explore.
He draws on his formal training from great maestros of not one, but three gharanas: the late Pandit Sudhirkumar Saxena (Ajrada Gharana), the late Ustad Latif Ahmed Khan (Delhi Gharana) and the late Ustad Allarakha (Punjab Gharana) in his teaching, in addition to teaching own modern rendition of classical Tabla and Indian rhythm concepts.
Tabla and Rhythm Instruction in INDIA
Tabla and Rhythm Instruction in US
Taalvidya for Kathak Dancers
Tabla and Rhythm Instruction in INDIA
Tabla and Rhythm Instruction in INDIA
Tabla and Rhythm Instruction in US
Since the late 1990’s, senior students and professionally performing artists of Guruji Pandit Divyang Vakil have been carrying on the classical art of Tabla in eastern United States with his guidance through the Taalim School of Indian Music. With 8 locations across five states, the Taalim School has been providing quality instruction to hundreds of students, and has reached thousands more through workshops and performances. All Taalim teachers have learnt how to teach Tabla in Guruji’s unique Tabla pedagogy. Guruji, teaches private classes and conducts regular workshops for Tabla students, percussionists, and music lovers under the auspices of the Taalim School across the United States. For information on classes and workshops with Taalim School and Guruji in the US
Taalvidya for Kathak Dancers
Taalvidya for Kathak Dancers
Tabla Compositions
Contemporary Kathak
Traditional Kathak
Contemporary dance composition
The Composer
He has worked on several music and dance projects as a composer, including a collaboration with Kerala martial art form of Kalaripayattu. His latest work in the field of contemporary compositions for dance is for the collaborative stage production Pradhanica (meaning a female leader) – a Kathak dance and world drums ensemble, where he composed music for Indian rhythms for the Djembe, Cajon, and Tabla particularly exploring the possibilities of expressing emotions through rhythm.
As a rhythm innovator, Guruji’s work not only includes composition, but revitalization and invention. Recognising his inputs and extensive work in modernizing classical Tabla playing, some eminent Korean percussionists requested a similar conceptualisation for the janggu – creating new rhythm structures to expand the repertoire for the instrument, all while respecting the traditional modes of playing. Experiments have included modifying the actual drum to create new sounds, increasing its vocabulary.